SONISTIC

💾 Sample Rate Bit Depth Calculator

Choose a sample rate, bit depth, channel count, and duration to see the uncompressed PCM data rate and file size — so you can budget disk space and bandwidth before you hit record.

📊 Calculate PCM Data

What is a Sample Rate & Bit Depth Calculator?

A sample rate and bit depth calculator shows how your recording settings translate into data — the bitrate of the uncompressed stream and how many megabytes a take will occupy. It makes the trade-off between audio resolution and file size concrete before you commit to a session format.

Plan multitrack projects, estimate how much a long set or stems folder will weigh, and choose a sample rate and bit depth that balance fidelity against the storage and bandwidth you have.

❓ Frequently Asked Questions

How is uncompressed audio data rate calculated?

Multiply the sample rate by the bit depth and the number of channels. CD-quality stereo — 44,100 samples per second × 16 bits × 2 channels — works out to about 1,411 kbps, or roughly 10.6 MB per minute. Higher sample rates, deeper bit depths, and more channels all push that number up proportionally.

What sample rate and bit depth should I record at?

44.1 kHz / 16-bit is the CD and streaming standard, while 48 kHz suits video. For tracking and mixing, many engineers work at 24-bit because the extra headroom lowers noise and gives more room for level mistakes. 88.2 or 96 kHz can help with heavy processing but cost more disk space, as this calculator makes clear.

Why are my WAV files so much bigger than MP3s?

WAV and AIFF store every sample uncompressed, so size scales directly with sample rate, bit depth, channels, and length. Lossy formats like MP3 and AAC throw away data the ear is less likely to notice, shrinking files several times over. Use the audio file size calculator to estimate those compressed sizes.

Does 32-bit float make files larger than 24-bit?

Yes. 32-bit float uses 32 bits per sample versus 24, so files are about a third larger than 24-bit at the same sample rate and channel count. The payoff is essentially unclippable headroom during recording and mixing, which is why many modern interfaces and field recorders offer it.